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Original title
A.P.E.X.
Akas
Apex
Director
Phillip J. Roth
Writing credits
Phillip J. Roth
Ron Schmidt
From
a story by
Phillip J. Roth
Gian-Carlo Scandiuzzi
Producer
Gary Jude Burkart
Talaat Captan
Executive Producer
Talaat Captan
Associated Producer
Jeffery Beach
Music
Jim Goodwin
Cinematography
Mark W. Gray
Editor
Daniel Lawrence
Casting
Elizabeth Weintraub
Production Designer
Grant Fausey
Blake B. Jackson
Set Decoration
William F. Reinert
Costume Design
Marie Blom
Maria Hansson
Makeup Department
Jennifer Darpinian
Stephanie Fowler
Production Manager
Jeffery Beach
Gary Jude Burkart
Marion Oberauner
Assistant Director
Talaat Captan
Craig Conolly
Mitchell Cox
Harris Done
David H. May
Suzi Mealing
His/her
Greg Back
Donna Beltz
David Bondelevitch
Kris Campbell
William Freesh
Catherine Harper
Jeremy Hoenack
Jason Johnston
Ossama Khuluki
Ingeborg Larson
Special Effects
Vincent Borgese
Ken Estes
Visual Effects
Tim Douglas
Camera
Douglas Blush
Harris Done
Jeffrey Douglas
Mark W. Gray
Mitch Gulbin
Editorial Department
Syd Cole
Marie Hélène Desbiens
Rubén García
Brian Kibbie
Production Companies
Green Communications
Republic Pictures (II)
Distributors
[ CONTRIBUTE: CORRECT THIS TEXT ]
APEX (Advanced Prototype EXploration unit). In the year 2072, the APEX program was brought on line.Its purpose; the exploration of time. To avoir contact, robotic probes were sent to uninhabited areas. Biological tests from early units revealed viral and cellular disorders caused by the transition threw time. To Prevent contamination, and the creation of a time paradox, the A.1.O.1. Priority Order was Implemented. This order mandated that sterilization units be sent to any point in time where a paradox was detected. Once in operation, units would continue to be sent until the complete elimination of the paradox time line.

Advanced Prototype EXploration unit
During one of these missions of time exploration where an APEX robot was sent from year 2073 to year 1973, the scientist Nicholas Sinclair is accidently found projected in an other dimension of time in which a ravaged humanity fights against an army of APEX robots. In a urban guerrilla without pity against machines, Sinclair is leading a group of soldiers composed of Shepherd, Taylor, Rasheed and Natasha, who in his original world was only his beloved wife. First shocked, he quickly understands what happened : for a century long, robots have automatically been sent here by Sinclair's laboratory responding to the Priority Order A.1.O.1. In a way or another, Sinclair had to return to the laboratory to discover what happened and had to stop this massacre.

Nicholas and Natasha
With his little group, Sinclair organizes an expedition in search of his laboratory. After a long expedition strewn of bellicose encounters, they get there, but the scientific center is now a heap of ruins. Happily the laboratory room was a very safe place protected from time and it seems still relatively operational. Sinclair has to restart it as quickly as possible.

Natasha, a hard woman...
When an important fall of energy produces, Natasha and he are trapped inside the laboratory. Sinclair profits of this intimate instant to explains her whoom he represents for her. Although Natascha belongs to these victims of the temporal virus, Nicholas and she link deep love feelings. While energy returns, a APEX robot returns from a mission and makes irruption in the scientific center...

...who learns for truth.
At the end of a long gunfight in which Natascha finally dies, a temporal window opens again. Sinclair throws in the tunnel to found himself in its original laboratory in the year 2073. During a short period, he will face himself. He cuts the process of dispatching the machines and thus saves the humanity. The time had buckled the buckle and whole was now normal again… for the humanity, for him and for Natascha he also found back.
(*) uncredited